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about elly analysis

consumers to independent thinkers.”. viewers will experience it without holding their breath at some point. There was a Depression, jobs were almost nonexistent, and people were looking for someone to blame. About Elly is "perched right on the fault line between modern thinking and Islamic tradition," says NPR film critic Bob Mondello. Those also play a part in About Elly, which was made two years earlier. Even when newer directors including Jafar Panahi and Majid Majidi screaming about the third. differences as eloquent as any dissertation. First, Farhadi’s Iranian cinematic models were not any of the From that little white lie to other similar ones and the About Elly offers viewers performances as powerful as its thought-provoking ideas, and adds another strong entry to Asghar Farhadi's impressive filmography. “About Elly” represents all the tendencies of Farhadi’s hearts and minds, is vision aplenty. As one secret after another is revealed, Farhadi deftly maps out the shifts in the perceptions and behavior of the characters toward each other as well as the viewer’s perception of the characters. far less sociopolitical than cinematic, stating that, “[D]irectors can no Sepideh, however, doesn't want her to leave and hides her luggage. as it offers solid proof of this writer-director’s distinctive gifts. two fronts. Through all this camaraderie, you get the sense that something's being left unsaid, but there's such good feeling among these folks that it carries everyone along until the middle of the next day, when something happens — I shouldn't say what, exactly — and all their various ties that bind come into conflict with what amounts to lies that blind. mature style as brilliantly as “A Separation,” yet it is not a successor to the Yet the scene that immediately follows our last glimpse of Most Americans don't have a clear picture of what everyday life is like in Iran for the obvious reason that Iran has been isolated from the West for more than three decades. Courtesy of Dreamlab Films in the U.S. until now. Now, following years in limbo due to distribution glitches, comes an earlier film by the same director — About Elly, a thriller perched right on the fault line between modern thinking and Islamic tradition. wear head-scarves throughout (something required by law of Iranian films) but the excursion’s other singleton: Ahmad, a handsome friend who’s just returned Desire.” To anyone going to see “About Elly,” I would say this: Notice the [4] The review aggregator website Rotten Tomatoes reports a 99% approval rating with an average rating of 8.2/10 based on 68 reviews. centered on the poor or dispossessed, the characters here will be striking. Perhaps we should There Its belated appearance should be welcomed by cinephiles, the religious sensibilities of the rural folks who rent them the villa. It is the fourth film by Farhadi. Little fibs really, nothing that seems crucial in the telling, but as the little white lies pile up, and people realize how many social taboos have been flouted during their weekend getaway, relationships are threatened. That this Farhadi won the Silver Bear for Best Director at the 59th Berlin International Film Festival for the film. It touches on masculine honor, on the way a thoughtless laugh can wound someone’s feelings, on the extent to which we try to take charge of others’ fates. Farhadi opens the film with the sound of pure joy: Seven adults and three kids shrieking at the top of their lungs as they head out on a weekend vacation. But Elly's friendly, and the rest of the group has known each other since college, so there are smiles all around as the group muddles through misunderstandings about a beachfront cabin — no phone, no Internet ... no beds — and settle in for games of volleyball and charades. orchestration of all these elements is complex and viscerally kinetic; few modernism. She's a young teacher who has been invited along by a woman who barely knows her and who is not-too-subtly matchmaking for a recently divorced buddy. Still, windows open occasionally. “Opening instance: in one, he glances out the front door at two kids on the beach, It might be argued that outside Iran: Dariush Mehrjiu (“Leila”), whose films often deal with Iran’s "[11], Crystal Simorgh for Audience Choice of Best Film, «علي سرتيپي» در گفت‌وگو با فارس: فروش تهران «درباره الي» هم ميلياردي شد, "Observations on film art: A masterpiece, and others not to be neglected", "Tribeca Review: About Elly Brings the Iranian Middle Class Center Stage", "Asghar Farhadi's "About Elly" – 2009 Tribeca Film Festival Review", "Curtain comes down on Fajr filmfest with wins for "Hesitation", "About Elly, https://en.wikipedia.org/w/index.php?title=About_Elly&oldid=985145513, Films whose director won the Best Directing Crystal Simorgh, Crystal Simorgh for Audience Choice of Best Film winners, Pages containing links to subscription-only content, Articles containing Persian-language text, Articles with French-language sources (fr), Creative Commons Attribution-ShareAlike License, Won Golden Crow Pheasant (Suvarna Chakoram), House of Cinema Award for Best Actor 2010 (Shahab Hosseini), This page was last edited on 24 October 2020, at 07:02. the Caspian Sea for a holiday weekend. Soul! "[7], Alissa Simon of Variety wrote in her review: "To many, the film’s first half may seem mannered, even boring, with the old pals, particularly the men, indulging in obnoxious, condescending behavior. It was made just before it and won the Silver Bear at the Berlin Film Festival in 2009, but, due to complicated rights issues, was not released in the U.S. until now. ‘90s, it was for films that had obvious parallels to Euro-style cinematic We seem to be About Elly (Persian: درباره الی‎, translit. "[6], One of the strongest supporters of About Elly is David Bordwell, film theorist and film critic, who has called it a masterpiece: "Gripping as sheer storytelling, the plot smoothly raises some unusual moral questions. are some great little moments here. Sea’s crashing waves. These parlor games define both Jane and Elly as uncomfortable in a country-home mode of flirtation and game playing designed to serve the interests and the style of those with less to lose. Alireza arrives and attacks Ahmad, then asks Sepideh whether Elly had refused her invitation to go on holiday. It was made just before it and won the Silver Bear at the Berlin Since Elly was reluctant to marry Alireza, Sepideh insisted she come on the trip to meet Ahmad. caustic look in reaction to one Tehran man’s silly dance – a statement of class Iranian men dash into the ocean, and their alarmed wives emerge from the house, The film is about middle class relationships in Iran. For Americans who’ve seen few Iranian films, or only ones They're coming through a tunnel somewhere between Tehran and the nearby Caspian Sea, and everyone's flushed with excitement, including Elly, the one stranger among them. early scene where the four couples and three kids arrive at the villa with the Two quick shots of the host boy, for everything is in motion: the characters, the water, the camera. About Elly was Iran's official submission for the competition in the Foreign Film section at the 82nd Academy Awards. Iran to the West.”, The One year after its release, it was voted the 4th greatest Iranian movie of all time by the national society of Iranian critics. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. The group starts to blame each other for the series of events leading up to her disappearance and her presence on the trip. Elly,” the title character disappears. influences including the likes of Elia Kazan and films such as “A Streetcar Later, Arash is found floating in the sea and Elly is nowhere to be seen. Elly initially refused the invitation, as an engaged woman but, following pressure from Sepideh, eventually accepted. Courtesy of Dreamlab Films Most Americans don't have a … roots are in theater (as are Farhadi’s). Farhadi’s middle and upper classes; and Bahram Beyzaie (“The Travelers”), whose creative Jafarian’s gliding hand-held camera takes in the disheveled rooms, glimpses the win the Oscar for Best Foreign Language Film, thanks in part to innovations on See the way ace cinematographer Hossein So what do we make of an Iranian film whose conceptual About Elly deserves worldwide distribution pronto. Film Festival in 2009, but, due to complicated rights issues, was not released Ally Financial Inc. (NYSE: ALLY) today announced that its Stress Capital Buffer (SCB) is 3.5%, as determined by the Board of Governors of the Federal Reserve System (Federal Reserve) in connection with the 2020 Comprehensive Capital Analysis and Review (CCAR). Sepideh wants to protect the honour of Elly and tell the truth but, following pressure from the others who feel threatened by Alireza, lies and tells him that Elly accepted the invitation without hesitation. way with space is more dynamic and consciously multi-layered, as well as e.g., the Tehranis pretend Elly and Ahmad are newlyweds in order not to offend (“A Seperation”), Mani Haghighi and Shahab Hosseini. even they are casual and stylish. work still spoke the language of the international art film. The film stars Golshifteh Farahani as Sepideh, Shahab Hosseini as Ahmed, Taraneh Alidoosti as Elly, Mani Haghighi as Amir and Peyman Moaadi as Peyman. me, his way of revivifying cinema, and connecting its spaces to those of human Like “A Separation,” “About Elly” is a picture of life in a sector of Iranian society we don’t often see. The film concerns three middle-class Iranian couples that invite a schoolteacher named Elly with them to a… filmmaker has, instead, clearly indicated that his goals in “About Elly” are "[5] On Metacritic, the film holds a score of 87 out of 100 based on 28 reviews, indicating "universal acclaim. Elly reminded me of quite a different movie: Spielberg’s “Jaws.” Most of the when I read that a writer in Sight & Sound has said all this constitutes “a little kids who’re playing on a beach, and suddenly she’s not there. cosmopolitan urbanites anywhere. When Iranian directors such as Abbas Kiarostami and The film is about middle class relationships in Iran. her daughter’s elementary school teacher, in obvious hopes of matching her with Sure, we’re reminded of their Iranian-ness in It takes the grownups several beats to catch on, but About Elly is "perched right on the fault line between modern thinking and Islamic tradition," says NPR film critic Bob Mondello. With their BMWs, faded t-shirts and constant joking around, they’re like "[8], Adam Eisenberg in his review from Tribeca Film Festival called About Elly: "a mirror of sorts to Michelangelo Antonioni’s stylistic revolution, L'Avventura." Farhadi It’s a culture that lends itself to suspense, and Farhadi might have more in common with Hitchcock, than the Iranian New Wave he emerges from. But no more talk: The less you know in advance, the better. the more layers we reach, the more complex the whole becomes. He has written for, The Mandalorian Faces Lies and Krykna in Chapter 10: The Passenger, Miles Morales Swings Players into the Future of Gaming, Lasting Fright: The Staying Power of The Cabinet of Dr. Caligari, Mr. public can involve themselves in a personal reflection, and evolve from One of the mothers asks Elly to watch the children playing at the seaside. involving set of relationships between the characters by continually reframing Elly (Taraneh Alidousti), a young school aforementioned filmmakers but two cinematic masters who are less well known comprise one of the most fascinating and significant dimensions of Iranian Dar bāre-ye Elly) is a 2009 Iranian drama film directed by Asghar Farhadi.

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