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carl maria von weber facts

in 1804. But, after she rejected his advances, Mozart went on to marry Constanze; thus Mozart's wife was a cousin of Carl Maria von Weber. The bottle had engraving-acid inside, and it made him ill for two months. Composed to a libretto by Friedrich Kind and heavily indebted to folk superstition and sentimentalized medieval German history, the opera was an enormous success. His best known work, Der Freischütz, remains among the most significant German operas.[5]. He also studied in Vienna with a famous musician called Abbé Vogler. A gifted violinist, Franz Anton had ambitions of turning Weber into a child prodigy like Mozart. In 1801 the family went back to Salzburg and Weber had more lessons from Michael Haydn. "Carl Maria von Weber – Biographie". Weber remained prolific as a composer during this period, writing a quantity of religious music, mainly for the Catholic mass. When Covent Garden in London commissioned a new opera, Weber took on the task of learning English and working with a librettist, James Robinson Planché, by correspondence. He was suffering from tuberculosis, but needed money to support his family. On the very morning of the premiere, Weber finished his Konzertstück in F minor for Piano and Orchestra, and he premiered it a week later. Weber resumed his studies under the influential Abbé Vogler, through whom he was appointed musical director at Breslau (now Wrocław, Pol.) There are several recordings of the major works for the solo piano, including complete recordings of the piano sonatas and the shorter piano pieces, and there are recordings of the individual sonatas by Claudio Arrau (1st sonata), Alfred Cortot and Emil Gilels (2nd sonata), Sviatoslav Richter (3rd sonata) and Leon Fleisher (4th sonata). Weber's cousin, Constanze, was Mozart 's wife. Invitation to the Dance also served as the thematic basis for Benny Goodman's swing theme song for the radio program Let's Dance. Corrections? Carl Maria von Weber (born Eutin, Holstein, baptised 20 November 1786; died 5 June, 1826 in London), was one of the most important German composers of the early Romantic period. As he could disprove the allegations, the case was brought under civil law to avoid compromising the de facto manipulator, the brother of the king. Carl Maria was a sickly child, having been born with a diseased hip that caused him to limp throughout his life. Fun Facts. [1] He had a modest output of non-operatic music, which includes two symphonies; a bassoon concerto; piano pieces such as Konzertstück in F minor and Invitation to the Dance; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann. [citation needed], After an interlude at the court of Duke Eugen of Württemberg, who resided in Silesia, Weber served from 1807 to 1810 in Stuttgart as private secretary to Duke Ludwig, brother of King Frederick I of Württemberg. Articles from Britannica Encyclopedias for elementary and high school students. His mother was called Rosa, she influenced him to go to military school at the age of 20, but his love for music meant that he would go to Cranbrook in Germany. But by then, he was already a capable singer and pianist. In 1800, the family moved to Freiberg in Saxony, where Weber, then 14 years old, wrote an opera called Das stumme Waldmädchen (The Silent Forest Maiden). One of his most popular works is called Invitation to the Dance. So when he was invited to go to London to compose and produce his opera Oberon he accepted the offer. His time in Salzburg was overshadowed by the death of his, who succumbed to tuberculosis on 13 March 1798, and that of his one-year-old sister Antonetta on 29 December 1798 in Munich. Weber accepted the invitation, and in 1826 he travelled to England, to finish the work and conduct the premiere on 12 April. Weber’s mother died of tuberculosis when he was eleven. He nevertheless produced several works during this period, including the last of his four piano sonatas, many songs and shorter piano solos, such as the famous Invitation to the Dance (1819), and the Konzertstück, Opus 79 (1821), for piano and orchestra. Carl Maria von Weber featured on a cigarette trading card. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others. As the daily routine did not leave sufficient time for his own creative work, Weber did not seek to extend his two-year appointment. However, he continued to become well known as a composer and wrote a lot of instrumental and religious music. Another one-movement concerto was the Konzertstück in F minor for piano and orchestra. It was written for piano, but later Hector Berlioz arranged it for orchestra and this is how it is often heard nowadays. In 1824, Weber received an invitation from The Royal Opera, London, to compose and produce Oberon, based on Christoph Martin Wieland's poem of the same name. His father worked in the theatre, and the family often moved from one town to another. All his work, music, and critical writings furthered the ideals of Romanticism as an art in which feeling took precedence over form and heart over head. His reputation by now, however, was such that he was able to secure an appointment as director of the German opera at Dresden, beginning in 1817. The story, deriving from folklore, concerns a man who has sold his soul to the Devil for some magic bullets that will enable him to win a marksmanship contest and with it the hand of the lady he loves. After a concert tour in 1802 the Webers returned to Augsburg where it is believed Peter Schmoll premiered. Omissions? Weber's contribution to vocal and choral music is also significant. The "von" was an affectation of his father, who was not an aristocrat. His bassoon concerto and the Andante e Rondo ungarese (a reworking of a piece originally for viola and orchestra) are also popular with bassoonists. His mother, Genovefa, was a singer; his uncles, aunts, and brothers were to some degree involved in music and the stage. [1], Throughout his youth, his father, Franz Anton [de], relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. He sought to reform the Opera by pensioning off older singers, expanding the orchestra, and tackling a more challenging repertoire. [9] In 1819, he wrote perhaps his most famous piano piece, Invitation to the Dance. In mid 1803, Weber continued his studies in Vienna with Abbé Vogler, founder of important music schools in Mannheim, Stockholm, and Darmstadt. Moving on to Freiberg, the Webers planned to set up a lithographic works in order to propagate the young composer’s music. Another famous pupil of Vogler in Darmstadt was Jakob Meyer Beer, later known as Giacomo Meyerbeer, who became a close friend of Weber. Disappointed in not winning a post in Darmstadt, Weber traveled on to Munich, where his friendship with the clarinet virtuoso Heinrich Bärmann led to the writing of the Concertino, Opus 26, and two brilliant, inventive clarinet concerti. His next opera, Euryanthe was a more ambitious work and a larger achievement, anticipating Wagner as his piano music does Chopin and Liszt. Weber was next a secretary in the court of King Frederick I of Württemberg. In letters they addressed each other as "brother". On a return visit to Salzburg, Weber completed his first wholly surviving opera, Peter Schmoll und seine Nachbarn, which also failed when it was produced in Augsburg in 1803. Happily married, he applied himself energetically to his work, assuming full control over all aspects of the operatic production. Updates? Weber wrote two Concertos for clarinet and orchestra and also a Concertino (a small concerto in one movement). His motive was to earn enough money to support his family after his death, which he knew to be not far off. In 1810, Weber visited several cities throughout Germany; 1811 was a pivotal year in his career when he met and worked with the Munich court clarinetist Heinrich Baermann and composed the Concertino in E♭ Major, Op. 114 and J. This was difficult for his education. Weber was not only a great composer, but a very skilled pianist and conductor. Sources that note Weber's virtuosity as a pianist include: Konzertstück in F minor for Piano and Orchestra, Symphonic Metamorphosis of Themes by Carl Maria von Weber, List of compositions by Carl Maria von Weber, Carl-Maria-von-Weber-Gesamtausgabe - Biographie, "Weber, Carl Maria (Friedrich Ernst) von", 10.1093/gmo/9781561592630.article.O004022, 10.1093/gmo/9781561592630.article.O007222, 10.1093/gmo/9781561592630.article.O903874, 10.1093/gmo/9781561592630.article.O010005, 10.1093/gmo/9781561592630.article.O900022, "Nature, Weber and a Revision of the French Sublime", Cylinder Preservation and Digitization Project, International Music Score Library Project, Hochschule für Musik Carl Maria von Weber,, Honorary Members of the Royal Philharmonic Society, Short description is different from Wikidata, Articles with unsourced statements from August 2020, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from July 2019, Articles with Encyclopædia Britannica links, Articles with International Music Score Library Project links, Wikipedia articles incorporating a citation from the New International Encyclopedia, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles incorporating citation to the NSRW, Wikipedia articles incorporating citation to the NSRW with an wstitle parameter, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Henderson, Donald G., and Alice H. Henderson (1990), Warrack, John H., Hugh Macdonald, and Karl-Heinz Köhler (1985), Weber, Carl M. von, posthumously edited by Winkler, Karl Gottfried Theodor (using pseud.

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